I booked an ACX job the other day for a PFH rate that was well above what most people make to read audiobooks. More than triple.
And I had already offered the client a 50/50 royalty split, because it was a really popular title on Amazon (top half a percent – I mean really popular).
He declined. And in asking him why, I found out that authors are being told some very interesting things by their coaches about how to work with voice talent.
But there’s more. Read on. Continue Reading →