How To Pick Your Stage Name
Hey, there!
I had an opportunity to meet with an actor the other day whose real name was really simple. When she joined SAG-AFTRA, she had to add a couple of initials to it to make it unique.
It got me thinking that there are some other extremely important considerations you need to think about besides whether or not anyone already uses that name in SAG-AFTRA.
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The Secret In Every Commercial Script
Hey there!
I teach, in my two-part Voicing Commercial VO class, how to work with three simple elements that will change how you audition for and perform commercials forever.
The third one is a secret.
No, really. Find that secret, and your world is a brighter place, and your auditions become extraordinary.
Here’s how.
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The Job In Every Commercial Script
Hey, there!
I teach, in my two-part Voicing Commercial VO class, how to work with three simple elements that will change how you audition for and perform commercials forever.
The second one is a job.
If you help accomplish that job, everything falls into perfect rhythm, and your auditions become extraordinary.
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The Problem In Every Commercial Script
Hey, there!
I teach, in my two-part Voicing Commercial VO class, how to work with three simple elements that will change how you audition for and perform commercials forever.
The first one’s a problem.
Determine that problem and solve it, and the clouds will part, the sun will shine brightly, and your auditions become extraordinary.
Here’s how.
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How To Conquer FOMO (Fear Of Missing Out)
Hey there!
I was having a conversation with a friend recently, and we were talking about how hard it is to keep with everything new – how it’s like a firehose of new stuff to be aware of, and how if you don’t keep up, you might be missing out on something awesome.
There’s actually a name for that – FOMO, or fear of missing out.
It’s a thing you don’t need to worry about needlessly. Here are some tips on how to conquer the beast that is FOMO:
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Pay Attention To Your Storytelling, Not Removing Your Breaths
Hey there!
I often get email asking me for advice on how to delete all the breaths from VO work.
I understand how it’s possible that someone would think that’s necessary, but I’m on a mission to debunk that myth.
Your natural breathing, and the listener hearing you breathe, is essential. And I urge you to attend to more pressing matters: your storytelling.
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“What do you mean, you’re a ‘process guy’?”
Hey there!
In another video, I mention what a challenge it is for me to be open to riffing and improv and playing, and how I have to work at leaving room for that, because, as I said, I’m a process guy.
What the heck does that mean? Well, there are two types of people in the world: process people and options people. I’m a process guy. Here’s why:
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